“In Somnyama Ngonyama, ready-made objects and found materials are transformed into culturally loaded props, merging the political with the aesthetic – often commenting on specific events in South Africa’s recent history. Scouring pads and latex gloves address themes of domestic servitude, while simultaneously alluding to sexual politics, violence and the suffocating prisms of gendered identity. Rubber tires, electrical cords or cable ties reference forms of social brutality and capitalist exploitation, and powerfully evoke the plight of workers – maids, miners and members of the disenfranchised communities. Using different artefacts – from chopsticks, can lids and safety pins to plastic bags or polythene wrapping – Muholi draws attention to urgent environmental issues and toxic waste. Accessories such as cowrie shells or beads highlight Western fascinations with clichéd, exoticised representations of African cultures and people as well as the global economies of migration, commerce and labour.”
Also published on Medium.