Gail Albert-Halaban @ Kopeikin Gallery

unnamed-1Gail Albert-Halaban: Paris Views
September 12th – October 17th 2015

‘Paris Views’ is a follow up to Albert-Halaban’s “Out My Window’ – a conceptually similar series shot in New York City in 2009. These projects invite the viewer to see inside and outside at the same time. The glass panes of a window somehow become even more transparent with the blending of two worlds. The outside world whizzes by, as the inside seems immune to the passage of time. Loneliness is examined simultaneously through multiple windows – a man sits in solitude on his bed, a woman alone at her desk, a child practices her wind instrument solo – leading to a sense of relation among them all. With Albert-Halaban’s staging of this project, strangers become neighbors – individuals form a community.

Kopeikin Gallery
2766 South La Cienega Blvd
Los Angeles, CA, 90034

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Ghislain & Marie David de Lossy @ Fontana Gallery

unnamedGhislain & Marie David de Lossy: Not Alone
Opening: Saturday 26 September 16.00 – 18.00 hours

Fontana Gallery, Lauriergracht 11, Amsterdam

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SECRET AGENT @ Finnish Museum of Photography

4 September 2015 – 16 October 2015

Judith Barry
Beth Collar
Chiara Fumai
Mathilde ter Heijne
Maud Sulter
Niina Vatanen

Secret Agent is a group exhibition composed from the viewpoint of feminist authorship and forms of collaboration in contemporary photography and film making practices. The six artists in the exhibition actively challenge the institutional structure of history and patriarchal authority – and imagine alternative narratives through the specificity of lens-based media. Acts of image-making, archiving, and guerrilla information tactics enable visibility and challenge relationships between author and authority.

Finnish Museum of Photography, Helsinki

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Robert Shults @ The Rangefinder Gallery

unnamedRobert Shults: The Superlative Light
September 4 – 26

Opening Reception: September 4 6:00 – 9:00 pm

Robert Shults’ intimate photos of the people and processes of the Texas Petawatt Laser in the University of Texas laboratory show the rarely seen inner workings of a fascinating scientific pursuit.

The Rangefinder Gallery
300 West Superior St
Chicago, IL

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Interview with photographer Hwa-Kyung Kim



F-Stop Magazine: How did you first become involved in photography and what led to you working in this medium as an artist?

Hwa-Kyung Kim: I started photography without any experience or knowledge of it. I just instinctively wanted to do it, so I learned basic B&W film and print techniques and found myself in it. Seeing an intangible idea in my head manifest itself onto paper was so exciting. Those moments in the darkroom made me realize that photography was the right medium for me.

F-Stop: The current issue of F-Stop Magazine includes images from your project “ Alter Ego II ” can you tell us about this project? How did this project come about?

HKK: This ongoing series, Alter Ego, explores the inner self through fashion which acts as a metaphor of personas. Through my journey in search of the concealed self, I perceived self as multiplicities— a group of different personalities, memories or appearances existing in a time passage. By applying a notion of personas to fashion, I investigated how personas create the ego. In the images, the woman is facing, passing, or surrounded by her personas. Through moving and overlapping, different forms of personas are created into new forms. In these reinterpretations, new perspectives are created of the self. I call it an “Alter Ego”.



F-Stop: Can you discuss your process for making these images or your creative process more generally? What were you looking to capture?

HKK: I often change my role between the maker and observer in the process. When concepts and sensations are projected onto objects, I discover that the objects expand their territories of meanings, and begin to evolve or change in their forms and meanings. I play with those possibilities and put them in work; so the results of the work are always unexpected. When fixed ideas are deconstructed and recomposed is when I’m most excited about the work.



F-Stop: What do you hope people see or feel or perhaps learn when they look at your photographs?

HKK: My work is an effort to see a new world born from different perspectives of reality. I hope viewers discover new possibilities to interpret the world we live, and expand them in their worlds through my work.



F-Stop: Do you have a favorite image in this series? If so, which one and why is it the image that speaks to you most?

HKK: My favorite images vary day to day. My interpretation of my images often changes and differs as time passes while I continue to grow as an artist. For now, I would say that the image of three egos overlapped and the image of one figure overlapped by hands speak to me most.

F-Stop: What photographers or other artists inspire you?

HKK: I’m inspired by artists working in different mediums such as painting and sculpture. A few of my favorite artists are Francis Bacon, Egon Schiele and Ann Hamilton. Their work stimulates and challenges me to think of endless possibilities beyond photography and my own imagination.

To see more of Hwa-Kyung Kim’s work:

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Brassaï, Paris (from Henry Miller's Quiet Days in Clichy), c. 1930s

Brassaï, Paris (from Henry Miller’s Quiet Days in Clichy), c. 1930s


Howard Greenberg Gallery
41 East 57th Street, Suite 1406, New York

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Sept 19 – Nov 9, 2015

reception 6 p.m. to 9 p.m. on Saturday September 19th.

n her photographic journey McDaniel explores the intersections of faith, culture and race. Her masterful portraits reflect on a citizenry where white and black, large and small, young and old seek solace and community at church services, in diners, on their stoops, in dark bars of towns whose prime is past and whose present is marred by hard economic times.

6679 Sunset Blvd.
Los Angeles, CA 90038

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Dandy Lion: (Re)Articulating Black Masculine Identity @ Silver Eye Center for Photography


Silver Eye Center for Photography | 1015 East Carson Street | Pittsburgh | PA | 15203

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Michelle Sank @ The Royal Albert Memorial Museum &Art Gallery

unnamedMichelle Sank Touch-Line: A Photographic Record of Rugby World Cup 2015, Exeter
19 September to 4 November

Urban and rural landscapes complement portraiture to give a comprehensive visual record of the preparation for the World Cup in Exeter. The photographs of signage, organisers, players, spectators and fans reflect the diversity of interest and importance of Rugby in Exeter’s communities. Her photographs differ from the mass of imagery that circulates around Rugby World Cup 2015. She eschews the conventions of sports photography to present a surprising and touching perspective on a highly physical sport. There are images about people playing Rugby, yet the focus of the collection is on the culture, the group dynamics and the ritual that surrounds the sport.

The Royal Albert Memorial Museum &Art Gallery is in Queen Street, Exeter EX4 3RX. Phone 01392 265858

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CINDY SHERMAN @ Collectors Room Berlin

unnamedCINDY SHERMAN Works from the Olbricht Collection
16. September 2015 – 10. April 2016

Collectors Room Berlin
Auguststrasse 68, 10117 Berlin, Germany

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