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LUCIANA PAMPALONE @ Robin Rice Gallery


LUCIANA PAMPALONE
November 15 – December 31, 2017

OPENING RECEPTION Wednesday, November 15, 6:00-8:00pm

“The idyllic and playful world of The Peconic Bay in Southampton, NY dances to life in Luciana Pampalone’s first solo exhibition. Each location was scouted by Pampalone and transformed into a vintage 1930s setting by the use of her models and props. A Graphlex camera, aviator goggles, parasols, retro bathing suits and games of croquet, (just to name a few) subtly tamper with the past, breathing life back into the 1930s. Moment by moment, Pampalone encapsulates the ephemeral quality of life, bending and blending human subjects within the natural landscape.”

Robin Rice Gallery
325 W 11TH ST NYC 10014 BETWEEN GREENWICH & WASHINGTON STS


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SPUTNIK PHOTOS collective @ FOTOHOF

Sputnik Photos / Lost Territories Archive
Abandoned watchtower. Ogrodniki, Polish-Lithuanian Border

SPUTNIK PHOTOS collective
Lost Territories (LTA 5)
September 29 – November 11, 2017

Photographers:
Andrej Balco, Jan Brykczynski, Andrei Liankevich, Michal & Lstrok; uczak, Rafa & lstrok; Milach, Adam Pa nacute; Czuk, Agnieszka Rayss

Opening: September 28, 19:00

“The continuously expanding archival collection Lost Territories Archive (LTA) is the starting point for changing exhibition concepts of the artist collective SPUTNIK PHOTOS. Founded in 2006 by photographers from Poland, Belarus and Slovakia, it uses the individual experiences of its members as a starting point for an analysis of socio-political processes and socio-cultural phenomena in the former Soviet republics. Within the last decade, a large part of photographic inventory was generated in this way, documenting the development and transformation of the former Eastern Bloc. ”

FOTOHOF / Inge-Morath-Platz 1-3 / 5020 Salzburg / Austria


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Pam Butler @ Baxter St at CCNY

Flower Girl, by Pam Butler

Pam Butler: As Object
September 23 – October 21, 2017

Opening Reception: September 23, 2017 from 6 – 8PM
Conversation with Pam Butler & Leigh Ledare: Thursday, October 12, 2017 at 7PM

“Pam Butler’s work explores the nuanced ways in which images reflect cultural coding and social structures. She focuses on the caricatured generic image, where stereotypes and their social myths become exposed. Through repetition, Butler highlights the need for conformity that lurks below our conscious awareness. Her work digs into the inherent contradictions and barely hidden absurdities that lie within our social norms.”

Baxter St at CCNY
126 Baxter Street
New York, NY 10013


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Matjaž Tančič @ Galerija Fotografija


Matjaž Tančič: Hḗrōs
18. September – 14. October 2017

Opening of the exhibition: 18. September 2017, at 20h

“The project is articulated through a fine tension between this moment of history and the history of art itself. Drawing inspiration from Ancient Greek storytelling and art pieces depicting mythological heroes, Tančič rejected a standard documentary approach in favor of something more personal. This allowed him to not only focus on real human destinies in a unique way, but also to portray his subjects in a completely new perspective. Essentially, Tančič decided to exploit, as French theorist G. Didi-Huberman put it, an anachronistic character of the image. This means that even though the Hḗrōs project serves as a witness of current humanitarian and political problems, Tančič found a way to escape the simplistic logic of mass-media coverage by opening a multi-layered space of artistic and historical reflection.”

Galerija Fotografija
Levstikov trg 7, 1000 Ljubljana


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Book review: Return to Fukushima by Rebecca Bathory

The Fukushima Daiichi nuclear power plant was directly impacted by an earthquake on the 3rd of March, 2011. Tsunami waves breeched the perimeter of the power facility, and the resulting flood waters caused the plant to shut down. Overheated reactors exploded, radioactivity was released via the air and in water that washed into the sea. A thirty mile exclusion zone was established and a mass exodus of residents scattered out across Japan. Whole towns and villages were evacuated. Some villages were completely washed away by the sea. In these places, quite literally, the clock stopped on 3/11. Cats and farm animals starved in the streets. Food rotted in restaurant bowls. Open school books lie in place on desks. Non-essential belongings sit abandoned on the beds, counters, and surfaces in thousands of homes. Silence reigned.

In 2016, the residents of the town of Tomioka were given permission to return to walk their streets in the midst of a beautiful display of cherry blossoms. Rebecca Bathory was finally given permission to photograph in the exclusion zone — to capture for future generations this dark yet hopeful moment in their history.

This collection of images is intended to capture the sadness of a moment in history, a moment that is relevant to us all — no matter your politics or stance on nuclear power. In the end, these macro-economic decisions are measured out in individual human lives, losses and hopes.

Also, Fukushima is about more than just the kind of images that fit into the trope of melancholy, abandoned scenes. Bathory’s images contain a palpable absence of people who inhabited these scenes. The images of the city, the houses, stores, and streets are so complete in their absence of people. The disaster story of the nuclear plant accident, and the resulting purge of residents to safety, is very different than images of a building or hospital or school where one knows that people used to frequent those spaces at some time in the past. Here are entire cities where you know people are supposed to be now.

Bathory has photographed other similar locations, most notably Chernobyl. She says in her book that she photographed there, and one could deduce in Japan as well, because “as nature claims back the buildings that once thrived with life, in years to come they become just ruins and the photos I have taken on these trips will serve as a historical record. These photos are a reminder for me of that tragic event, and to those that view them show the fragility of human existence and how powers such as this should be treated carefully so as not to allow events like this to happen again.”

Return to Fukushima
by Rebecca Bathory

192 pages, Hardback
ISBN 978–1–908211–48–4
Published by Carpet Bombing Culture
www.carpetbombingculture.co.uk


Rebecca Bathory is a photographer based in the UK. She has published a number of photo books that ‘find beauty in darkness, poetry and meaning in the forgotten and surreal, imaginary worlds amongst decay.’ To see more of her work, please visit: http://www.rebeccabathory.com/


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Indian Photography Festival 21st Sep to 08th Oct 2017

image Tarin Chouhan

Indian Photography Festival – Hyderabad
21st Sep to 08th Oct

The objective of Festival, according to Aquin Mathews, is to create a platform to appreciate, debate and question the medium of photography by bringing international and local talent on one single platform, help them learn from each other. “Photography is a universal language”, says Aquin and has been a great educator all these years. It has the power to change the society, he added. .”

Key Exhibitions: –

Before it’s too late by Mathieu Willcocks | UK
Landscape by Cecilia Paredes | PERU
Philippines Drug Wars by Kate Geraghty – Sydney Morning Herald | AUSTRALIA
Celebrity Portraits by the Photographers from Sydney Morning Herald | Australia
The Rescue by Francesco Giusti | ITALY
The Hungry Tide by Swastik Pal | INDIA
Empathy by Sudharak Olwe | INDIA
Head On Photo festival | Australia
Water by Hikari Creative
IPF Portrait Prize | INDIA

For more info: www.indianphotofest.com

State Art Gallery, Madhapur


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Thomas Struth @ Saint Louis Art Museum

“Tokamak Asdex Upgrade Interior 2, Max Planck IPP, Garching 2009” Chromogenic print; 55 3/4 x 59 1/4 inches © Thomas Struth

Thomas Struth: Nature & Politics
Nov. 5 through Jan. 21, 2018

“Struth’s work takes viewers into spaces which are not accessible to most people, such as aeronautical centers, robotics laboratories, surgical suites, and nuclear fusion facilities. His photographs examine the human attempts to understand and harness forces of nature. Conveying a sense of awe at their scale and complexity, Struth has pushed the limits of the photographic medium, generating works—such as “Space Shuttle 1”—that are more than 12 feet wide.”

Saint Louis Art Museum
One Fine Arts Drive
St. Louis, MO 63110


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LISHUI PHOTOGRAPHY FESTIVAL China November 11-15, 2017


LISHUI PHOTOGRAPHY FESTIVAL China
November 11-15, 2017

“The 8th edition of the Lishui Photography Festival and the 2nd edition of the International Photography Seminar will take place from 11 to 15 November 2017 in some twenty venues in the city of Lishui, in the coastal province of Zhejiang, in the south-east of China. Lishui becomes the epicenter of the international photography scene during this five-day event, and attracts thousands of Chinese and international photographers, professionals and amateurs alike, who come here to exhibit their work, to visit, create and exchange with fellow photographers.”


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Isamu Sawa @ Black Eye Gallery

Without Water’ by Isamu Sawa , courtesy of Black Eye Gallery

Isamu Sawa: Without Water
Sept 26 – Oct 15, 2017

Opening Night: Sept 28, 6-8pm

Black Eye Gallery
3/138 Darlinghurst Rd, Darlinghurst


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MAN-MADE LANDSCAPES: EDWARD BURTYNSKY, MISHKA HENNER & YVON LAMBERT @ Galerie Clairefontaine

Mishka Henner

MAN-MADE LANDSCAPES: EDWARD BURTYNSKY, MISHKA HENNER & YVON LAMBERT
13.09.-21.10.17

“This group exhibition showcases eerily beautiful photographs by Edward Burtynsky, Mishka Henner and Yvon Lambert, which tell a spooky tale about the exploitation of nature by humankind. “If we destroy nature, we destroy ourselves!”, argues Burtynsky. In Artnews, Alex Greenberger sums up Mishka Henner’s work “The scariest thing about Mishka Henner’s “photographs” is that they are so beautiful”. Yvon Lambert’s photographs of “industrial sculptures” portray remnants of Luxembourg’s steel industry…”

Galerie Clairefontaine, Espace 1
7, place de Clairefontaine, L-1341 Luxembourg


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