F-Stop Magazine: The current issue of F-Stop Magazine includes images from your project “Other Rooms,” can you tell us about this project? Xuemeng Zhang: This project developed as I noticed our digital presence becoming equally important to our physical presence during the pandemic, with the rapid development of digital tools. The shift from the physical
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David Ricci is a Massachusetts based photographer whose work is featured in Issue #112 – Amusement.  Ricci has exhibited widely including solo exhibitions at the Fogg Museum at Harvard, Art Complex Museum, Berkshire Museum, Iris Gallery, Panopticon Gallery, UMASS-Amherst and Brown University and group exhibitions at the DeCordova, Danforth and Fleming Museums and at Rosenberg+Kaufman
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  While reviewing the work online for one of our featured photographers in Issue #111, Jena Love, I immediately recalled one of her images. Love’s self-portrait is included in F-Stop Magazine Issue #106. It made me smile. As a parent, I could easily relate to the scene she presents. Her self-portrait dovetails nicely into the
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F-Stop Magazine: How did you first become involved in photography and what led to you working in this medium as an artist? Olya Pegova: I took up photography not so long ago, about four years ago. Now it seems to me that I wanted to do it all my life, but for some reason I
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Chung-Wai Wong’s project, So Long Hong Kong, So Long, captures the enhanced sense of powerlessness and loss of hope in Hong Kong at a time of transition, discovery and reflection. Wong’s work is amongst the featured artists in this issue’s ‘Portfolio’ exhibition, and we had the opportunity to explore ideas behind his heartfelt farewell to
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F-Stop Magazine: How did you first become involved in photography and what led to you working in this medium as an artist? Debe Arlook: You know the board game, LIFE? I loved getting the artist career but knew it came along with the starving artist tagline. My Dad always had cameras with him, documenting family
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F-Stop Magazine: How did you first become involved in photography and what led to you working in this medium as an artist? Camille Mazier: My parents always surrounded me with art books and took me to exhibitions. They were both teachers, and very interested in images, their meanings, and how we can create an image.
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